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Mancuso also addresses some of the thornier sides to sticking so close to home, like how his mother Maria (played by Mancuso’s real mother) insists he settle down with another Brazilian girl. He also faces Haley’s parents’ ignorance about his country when they assume he speaks Spanish like their Central American housekeeper, and Rudy has to consider whether to correct them or let it slide to keep the peace. It’s likely that more than a few second and third generation children of immigrants will find something to relate to in Mancuso’s film, but at the same time, it feels so unique because of how rarely we see the Brazilian-American experience on screen.

That celebratory spirit extends to Mancuso’s relationship with scene-stealing co-star, his mom. Their dynamic in the film is even livelier than Rudy’s dates with Isabella, which feel more like a glowing idealized version of what could be, and Haley, the girlfriend whose goals and plans for the future no longer align with what our main character wants. He wonders about leaving his mother after college and is clearly very close with her despite her dismissal of his artistic pursuits and disapproval of his dating choices, which may sound like familiar feedback from some of our own parents.

Over the credits, Mancuso’s childhood photos unfold alongside the names and titles of the cast and crew, making “Música” feel as much of a love letter to her as it is to the music that inspires him and the culture that shaped him. Right to the end, “Música” becomes more than just another bland romcom. It’s about finding love when living with a disability, it’s about finding music wherever it may be, and it’s about our connection to our culture and our family.

Before you see a single frame of Vera Drew’s Batman-soaked satire “The People’s Joker,” you’re greeted with an enormous wall-of-text disclaimer: "This film is a parody and is at present time completely unauthorized by DC Comics, Warner Bros. Discovery, or anyone else claiming ownership of the characters and subjects that it parodies and references,” etc. Then, a smaller, more personal dedication: “To Mom, and Joel Schumacher.”


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